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NONUMENT! Symposium
13-14 June 2019
CAMP Prague

What happens when an object loses its original purpose? Why does architecture find itself displaced, unwanted and repurposed? Buildings and physical infrastructure possess a longue durée that is fundamental to their spatial and political impact. But their long-term pretension can also become their undoing: politics, society, media and culture change faster than bricks and concrete. Structures can usually adjust only in very expensive ways: with renovation or destruction. History leaves behind either heritage or rubble, both a sort of an architectural ‘living dead’.

Despite all the ruins and the heritage industry produced by the three volatile decades after the ‘End of History’ in 1989, the dichotomy seems to be a misleading one. Decay, under-use, omission, ruin porn, gentrification: these socioeconomic processes often operate outside of a clear dichotomous relation, producing something completely new as well. They demand a different set of conceptual tools to be able to think our time and our (in)ability to operate with the objects existing here and now. Our theoretical sieves have become too dense to differentiate in a meaningful way. We want to direct the attention to the vast residue that gets left behind. This is the extensive yield of nonuments, an open term extending from abandoned monuments to decaying infrastructure, from speculative destruction of heritage to architectural residue of abandoned futures. An amalgam of affirmation and negation, nonument asks for a redefinition of spatial politics through theory and art. Locating the spatial fragments and leftovers as indicators of otherwise unseen political and economic dynamics, nonuments demand our coming to terms with the existing.

Nonument symposium will scan for Europe’s nonuments on its geographic as well as other types of peripheries with the help of theoretical, conceptual and art-practice based contributions from around the world. From Cyprus to Prague and from Vienna to Balkan Mountains, nonuments ceaselessly pose questions of how to think them and how to engage with them. Hotel, power plant, railway, congress center, control and dispatch hi-tech center and a former anti-aircraft tower stand neglected or are being destroyed. At the same time they also trigger popular fascinations and consummations. A two day art and theory symposium in Prague, held in the shadow of the destruction of Transgas building, will address the dilemma of how to operate with the nonumental residue of geopolitical concussions, social changes and unresolved historical tensions.

Save the date! Participation is free of charge.
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Panels include:
– A proposal of six European nonuments:
a hotel, a power factory, a railway, a congress center, control and dyspatching hi-tech center and a former bunker.
– Memory and post-socialist condition
– Infrastructure and Ideology
– Conflict and suppression
– Impossibility of a Future

& more!

 

FULL PROGRAM:

13th of June, Thursday
9:00 – Registration
9:15 – Introduction speech
9:30 – Nika Grabar (SI), architect: Nonument!
10:00 – Martin Bricelj Baraga, Neja Tomšič – Nonument Group (SI): McKeldin Fountain

First session: Conflict and Suppression
10:15 – Jürgen Weishäupl (A): Flak Towers, Vienna
10:45 – Pavel Karous (CZ)
10:55 – Ljubica Slavković (SRB): In search of Public Interest in Belgrade: Legalizing the Wild City
11:25 – Martin Zet (CZ): Missing and invisible sculptures of Miloš Zet
11:35 – Discussion

11:50 – Coffee break

Second session: Infrastructure and Ideology
12:00 – Danica Sretenović (SI): The Pioneer Railway
12:30 – Vladimír Turner (CZ): Ephemeral Monuments
12:40 – Martin Bricelj Baraga, Neja Tomšič – Nonument Group (SI): From Nowhere to Noplace – Pioneer Railway
13:10 – Nicolas Grospierre (PL/FR): A Subjective Atlas of Modern Architecture
13.40 – Katarína Hládeková (SL), Markéta Žáčková (CZ): Brno: Statues in Streets
13:50 – Discussion

14:00 – Lunch

15:00 – Special Lecture: Elke Krasny (A): Curating Memory and Curating Mourning

Third session: Memory and Post-socialist Condition
16:00 – Anelya Ivanova (BG): Buzludzha – The Apotheosis of the Socialist Art in Bulgaria
16:30 – Benjamín Bradňanský, Vít Halada, (SK): Iconic Ruins
16:50 – Ole Frahm – Ligna Group (D): Reenactment, Working-Through, Alienation. The Radioballet as performative Remembrance
17:20 – Petr Dub (CZ): Public Boarders
17:30 – Veronika Vicherková (CZ) – Respect! Keep or Squeez!
17:50 – Discussion
18:05 – Coffee Break
18:20 – Special Lecture: Deimantas Narkevičius (LTU): Too Long on the Plinth
19:20 – Final discussion
20:30 – Afterparty – Bar/ák

———————————————————————————

14th of June, Friday
9:00 – Introduction
9:00 – Workshops
When will you start to respect me? – led by Veronika Vicherková (CZ)
I am a dependent object! – led by Katarína Hládeková (SK), Markéta Žáčková (CZ)

10:30 – Special Lecture: Miloš Kosec (SI): Nonumental Infrastructure

11:30 – Workshops – Outcomes and Discussion
11:30 – Lunch

Fourth session: Reversion
12:30 – Ladislav Zikmund-Lender (CZ): Topography of Demolitions: Case Transgas
13:00 – Peter Szalay (SK): The Mirror of Unwanted Patrimony: Narcissism or Cynical Egoism?
13:30 – Hans van Houwelingen (NL): Undone
14:00 – Achilleas Kentonis (CY) Legend Geneating Machines
14:30 – Discussion

14:30 – Coffee break

Fourth session: Impossibility of a Future
14:40 – Vladimir Dulović (SRB): Genex
15:10 – Viktória Mravčáková (SK): How to Bring Good Art into the City?
15:20 – Elizabeth Sikiaridi (GB) and Frans Vogelaar (NL) – Hybrid Space Lab: Deep Spaces
15:50 – Elise Hunchuck
16:20 – Discussion

16:30 – Special Lecture: Branislav Dimitrijevič (SRB): “Egypt” rather than “October”: Incongruences in Interpreting Yugoslav National-liberation Monuments, Then and Now

17:30 – End of the Symposium

 

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Museum of Transitory Art

MoTA –

Museum of Transitory Art

MoTA is a multidisciplinary platform dedicated to advancing the research, production and presentation of transitory, experimental, and live art forms.

MoTA is a museum without a permanent collection or a fixed space. Instead, its programs are realised in different locations and contexts in temporary physical and virtual spaces.

MoTA organizes and supports transitory art in the form of continuous events, exhibitions and educational programs both locally and internationally. As its name indicates, MoTA examines what a museum can be today and in the future.

MoTA is in constant search for the new, the uncertain, and the undefined.

MoTA works on several continuous programmes & projects. We run MoTA Point – a Space for Art & Ideas, we curate and produce the annual SONICA Festival, in addition to regular music programmes such as SONICA Series and SONICA Classics.

Within the years of running our residency programme we’ve established T.R.I.B.E. – a network of residency spaces in the Balkans & Eastern Europe.

We’ve also initiated the research and archive platforms ArtistTalk.eu and Mediateque MoTA & Tomaž Brate. Our educational programmes serve a broader audience with ongoing workshops, talks, symposia, and internships.